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Eliot, T.S. "The Lesson of Baudelaire", , vol. I, Spring 1921, p. 4
Although no authorized biography of Eliot has yet appeared, Peter Ackroyd, (1984), and Lyndall Gordon,(1988), are extremelyuseful, supplemented by smaller specialized studies such as John Soldo, (1983), and by studies in biographical criticism such as LyndallGordon, (1977), and Ronald Bush, (1984). The indispensable bibliography of Eliot's work is DonaldGallup, (1947; rev. ed., 1969). Standard criticalstudies begin with an early group including F. O. Matthiessen, (1935; rev. ed., 1947); Helen Gardner, (1949);Grover Smith, (1950); and Hugh Kenner, (1959). F. R. Leavis's early and important appreciation in (1932) was expanded and qualified in essays collected in (1975). Essential studies of the composition of andcan be found in A. Walton Litz, ed., (1973),and in Helen Gardner, (1978).
In May 1910 a suspected case of scarlet fever almost prevented Eliot's graduation. Byfall, though, he was well enough to undertake a postgraduate year in Paris. He lived at151 bis rue St. Jacques, close to the Sorbonne, and struck up a warm friendship with afellow lodger, Jean Verdenal, a medical student who later died in the battle of theDardenelles and to whom Eliot dedicated "The Love Song of J. Alfred Prufrock."With Verdenal, he entered the intellectual life of France then swirling, Eliot laterrecalled, around the figures of Émile Durkheim, Paul Janet, Rémy de Gourmont, PabloPicasso, and Henri Bergson. Eliot attended Bergson's lectures at the College de France andwas temporarily converted to Bergson's philosophical interest in the progressive evolutionof consciousness. In a manner characteristic of a lifetime of conflicting attitudes,though, Eliot also gravitated toward the politically conservative (indeed monarchistic),neoclassical, and Catholic writing of Charles Maurras. Warring opposites, theseenthusiasms worked together to foster a professional interest in philosophy and propelledEliot back to a doctoral program at Harvard the next year.
Check your paper » Wasteland by T.S.
Eliot's The Wasteland Traditionally, authors begin their compositions at the beginning and then proceed to an end, creating a logical flow of information towards a conclusion.
Eliot spent much of the last half of his career writing one kind of drama or another,and attempting to reach (and bring together) a larger and more varied audience. As earlyas 1923 he had written parts of an experimental and striking jazz play, (never finished, it was published in fragments in 1932 and performed byactors in masks by London's Group Theatre in 1934). In early 1934 he composed a churchpageant with accompanying choruses entitled , performed in May and June1934 at Sadler's Wells. Almost immediately following these performances, Bishop Bellcommissioned a church drama having to do with Canterbury Cathedral, which, as was performed in the Chapter House at Canterbury in June 1935 and wasmoved to the Mercury Theatre at Notting Hill Gate in November and eventually to the OldVic. In the late 1930s, Eliot attempted to conflate a drama of spiritual crisis with aNoël Coward-inspired contemporary theater of social manners. Though Eliot based on the plot of Aeschylus's he designed it to tell astory of Christian redemption. The play opened in the West End in March 1939 and closed tomixed reviews five weeks later. Eliot was disheartened, but after the war fashioned morepopular (though less powerful) combinations of the same elements to much greater success. modernizing Euripides's with some of the insoucianceof Noël Coward, with a cast that included Alec Guinness, opened to a warm criticalreception at the Edinburgh Festival in August 1949 and enjoyed popular success starting onBroadway in January 1950. Eliot's last two plays were more labored and fared less well. had a respectable run at the Lyric Theatre in London in September1953, and premiered at the Edinburgh Festival in August 1958and closed after a lukewarm run in London in the fall.
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A Game of Chess comes from Thomas Middleton's A Game at Chesse,
a controversial Elizabethan play depicting war between England
and Spain with England as the white pieces and Spain as the
Pagan, Roman, Greek and other gods have been invented who were believed to control the fertility of the land, such as Ceres, the Roman goddess of agriculture, on which the survival of their populations has been believed to have depended....
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Eliot's The Wasteland and Maddy's No Past, No Present, No Future
, a huge collection of books as text, produced as a volunteer enterprise starting in 1990. This is the source of the first poetry placed on DayPoems.
, exactly what the title says, and well worth reading.
: "If a guy somewhere in Asia makes a blog and no one reads it, does it really exist?"
, miniature, minimalist-inspired sculptures created from industrial cereamics, an art project at Lewis and Clark College in Portland, Oregon.
, More projects from Portland
, Furby, Eliza, Mr_Friss and Miss_Friss.
, a Portland, Oregon, exhibit, Aug. 13-Sept. 5, 2004, at Disjecta.
Eliot In the poem, The Waste Land, T.
Despite his feelings of alienation from both of the regions he called home, Eliotimpressed many classmates with his social ease when he began his studies at Harvard in thefall of 1906. Like his brother Henry before him, Eliot lived his freshman year in afashionable private dormitory in a posh neighborhood around Mt. Auburn Street known as the"Gold Coast." He joined a number of clubs, including the literary Signet. And hebegan a romantic attachment to Emily Hale, a refined Bostonian who once played Mrs. Eltonopposite his Mr. Woodhouse in an amateur production of . Among his teachers,Eliot was drawn to the forceful moralizing of Irving Babbitt and the stylish skepticism ofGeorge Santayana, both of whom reinforced his distaste for the reform-minded, progressiveuniversity shaped by Eliot's cousin, Charles William Eliot. His attitudes, however, didnot prevent him from taking advantage of the elective system that President Eliot hadintroduced. As a freshman, his courses were so eclectic that he soon wound up on academicprobation. He recovered and persisted, attaining a B.A. in an elective program bestdescribed as comparative literature in three years, and an M.A. in English literature inthe fourth.
Eliot The driving force of all life is procreation and re-birth.
This poem is super-duper important. In this work, Eliot sounds like a Victorian, all mopey and depressed over how far civilization has fallen. But his method is definitely Modernist.
The Waste Land by T. S. Eliot | Poetry Foundation
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