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Lone Star essays "Lone Star" is a modern day based western
John Sayles is a writer/director who is cherished in the history of American film. He has been very significant in the advancement of independent American films for close to 30 years. Similarly, he has played a vital role in successfully acquiring a balance between his successes against the risky acts of companies. Sayles has a special connection with the past, integrating a number of his films with nuanced basis of the history, giving due focus to the American working class, race and identity.
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Because a single large company owned everything in Matewan, it was nearly impossible to rise out of the feudal relationship, especially since preaching the ideals of capitalism could easily result in losing all of one's property and material possessions.
Director John Sayles is one of the many great independent directors
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Sayles’ latest film Lone Star, set in a Texas border town, not only re-examines a staple of American film mythos, the western, but seems to bring together most of the themes Sayles has himself explored in his previous oeuvre As a commentary on a standard American genre, the film’s most salient feature seems to be the shift it portrays from the patriarchal domination of one oppressive figure, the former lawman (Kris Kristofferson), to the attempt of the new lawman, the film’s hero Sam (Chris Cooper), to weave together a working community from the disparate sectors his predecessor had ruled over as a private fiefdom of corruption.
Now synonymous with Sixties counterculture, LSD actually entered the American consciousness via the mainstream. Time and Life , messengers of lumpen-American respectability, trumpeted its grand arrival in a postwar landscape scoured of alluring descriptions of drug use while lesser outlets piggybacked on their coverage with stories by turns sensationalized and glowing. Acid Hype offers the untold tale of LSD's wild journey from Brylcreem and Ivory soap to incense and peppermints. As Stephen Siff shows, the early attention lavished on the drug by the news media glorified its use in treatments for mental illness but also its status as a mystical--yet legitimate--gateway to exploring the unconscious mind. Siff's history takes readers to the center of how popular media hyped psychedelic drugs in a constantly shifting legal and social environment, producing an intricate relationship between drugs and media experience that came to define contemporary pop culture. It also traces how the breathless coverage of LSD gave way to a textbook moral panic, transforming yesterday's refined seeker of truths into an acid casualty splayed out beyond the fringe of polite society.
John Sayles Essays - Best Topics Actual in 2017 for Free
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Carson, D. and Kenaga, H. (eds). New Perspectives on Independent Filmmaker John Sayles. Detroit: Wayne State University Press, 2006. Print. 9-11.
To tighten the focus on Sayles' concern with working class un"disappearance," it seems most efficient to fix our scope on three of his most recent films, "Matewan" (1987), "Eight Men Out" (1988) and his latest, "Lone Star" (1996). These three films have marked Sayles as one of the most significant players in the circuit of those commenting in a meaningful way on American working-class history.
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John Sayles Lone Star Movie Free Essays - StudyMode
John Sayles was born of parents who were educators in 1950 in New York. In school he was more successful as a scholar than as an athlete. He graduated with a degree in psychology in Williams College. Sayles worked in a blue collar industry, mainly packing meat and in a nursing home. With a love for acting, Sayles took part in acting in summer stock productions based in New Hampshire. It is here that he went to write stories that he tried to issue to several firms for publication but none of them were successful (Carson, and Kenaga, 9). The first story he ever sold cam in 1975, Atlantic Monthly which won him a prize. This motivated him to continue writing and he produced two other novels. With his vast range of skills in writing stories from fiction to non-fiction basis, he started to get involved in writing screen plays. He did screen play writing for Roger Corman, popular for exploitation movies that graced fiction and horror genres. Through this, he was able to earn himself good money. From this he began to produce his own movies. Through writing, directing and editing, Sayles is able to acquire a creative control of all of the movies he produces.
The Burden Of History and John Sayles' Lone Star
John Sayles raise to fame began in the 1980s a time when his films hit the US cinemas. Films like Return of the Secaucus Seven (1979), Lianna (1982) and The Brother from Another Planet (1985) made strong entrance to the movie screens at a period when blockbusters and Sundance were thriving. Similar to John Cassavetes, Sayles has been able to finance his film work through engaging in projects in the boundaries of Hollywood. This was in the writing of scripts – which according to him have gone to over 75 scripts. At the same time he took part in acting in other films. This offered good grounds to learn and earn good money for financing his projects (Zaragoza, 191). This dedication to creative freedom made Sayles a hero of the past independent American film. While similarly, his films have gone on challenge sections that are ripe.
John Sayles " Lonestar" Essay - Anti Essays
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The Evolution of John Sayles as a ..
"Lone Star", despite its setting on a border town, where there is much friction between the Mexicans, the Blacks, and the Anglos, is not merely an issue-driven film that deals with race relations and how we can 'all get along'. No, "Lone Star" has a strong structure underneath the unpredictable and enthralling narrative-- Sayles provides the audience with a continuum between borders, the past and the present, and the law vs. justice.
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