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William Hazlitt Study Questions

William Hazlitt, The Spirit of the Age. Grasmere: The Wordsworth Trust, 2004
This appears to be the only paperback edition of Hazlitt’s greatest work currently in print. It is lavishly illustrated with portraits of the various people described by Hazlitt, and is prefaced with an essay by Robert Woof, director of the Wordsworth Trust.

Gregory Dart (ed.) William Hazlitt: Metropolitan Writings. Manchester: Carcanet Press, 2005

Tom Paulin and David Chandler (eds.), William Hazlitt: The Fight and Other Writings. London: Penguin, 1998 (Penguin Classics)
Another excellent one-volume selection, longer than Cook’s, with an introduction by Tom Paulin and some informative annotations by Chandler.

by William Hazlitt and Frank Martin Illus.

Gregory Dart (ed.) Liber Amoris and Related Writings. Manchester: Carcanet Press, 2008

The greatest art critic of his age, William Hazlitt is celebrated for his humanistic essays and literary criticism. Hazlitt was an influential drama critic, social commentator and philosopher, now widely considered one of the great critics and essayists of the English language. This comprehensive eBook presents Hazlitt’s collected works, with numerous illustrations, many rare texts appearing in digital print for the first time, informative introductions and the usual Delphi bonus material. (Version 1)

Eager to preserve the spontaneity of his first writing, he made few substantial changes; his only major revision was to delete three irrelevant passages concerning Sarah Walker-one of which he laid aside for later use in the Liber Amoris.

William Hazlitt's General Essays.

On December 11th, 1821, Hazlitt had attended the fight between William Neate and Thomas Hickman.

This edition brings together Liber Amoris, Hazlitt's notorious memoir of unrequited love, and some of the other essays that he was producing at the same time (1821-3). These include important pieces 'On the Fear of Death', 'On Great and Little Things', 'The Fight' and 'On the Knowledge of Character'. Prefaced by a critical essay and enhanced by extensive footnotes relating Hazlitt's texts to his letters from the period, this edition offers a detailed and compelling insight into the main creative crisis of Hazlitt's life

Duncan Wu (ed.), New Writings of William Hazlitt. Oxford: Oxford University Press, 2007
This is a collection of 205 newly-discovered essays by Hazlitt, including major essays on the poetry of Wordsworth and Coleridge, a defence of Byron and Shelley from accusations of indecency, an analysis of the three trials of the Regency publisher and writer William Hone, and a series of reminiscences and anecdotes from his last years.

George Sampson has collected here some of William Hazlitt's finest works.
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Edited by William Carew Hazlitt.

6. Hazlitt seems fond of quoting or near-quoting the observations and sentiments of others. Why do you think he does that? Do you find that it adds to the effect of his essays, or detracts? Explain.

Le combat et autres essais William Hazlitt.

In dealing with credit system, Hazlitt pointed out how a person that is having trouble economically seems to have a better chance to get yet another loan that will most likely not get paid back, as opposed to a person that can pay it back immediately does not usually receive one at first glance.

Hazlitt's 1821 essay The Fight - Blupete

5. Hazlitt spends much of the essay characterizing Coleridge's appearance and habits, and some of the circumstances surrounding his visit to Shropshire. To what extent does Hazlitt introduce notes of irony and criticism into his characterization? Discuss some examples.

“The Fight” by William Hazlitt | Custom Term Papers …

This volume collects together a number of Hazlitt's most important metropolitan essays, many of them not otherwise available in paperback. These essays include 'On Londoners and Country People', 'The Indian Jugglers', 'On the Want of Money' and 'On the Feeling of Immortality in Youth'. The edition also contains a critical introduction exploring Hazlitt's attitude to early nineteenth-century London life.

“The Fight” by William Hazlitt “The Fight” by William Hazlitt

3. What key examples does Hazlitt offer of the way in which various artists do or don't exhibit "gusto" in their work? Does the lack of gusto necessarily make a poet or artist uninteresting? How does Hazlitt deal with those who, according to him, don't exhibit gusto in their art?

The Fight By William Hazlitt (1822) - our civilisation

According to Newsweek, Orwell "was the finest journalist of his day and the foremost architect of the English essay since Hazlitt."

Contemporary readers are more often introduced to Orwell as a novelist, particularly through his enormously successful titles Animal Farm and Nineteen Eighty-Four.

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