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Sigmund Freud and the Oedipus Complex
Especially, if you do not like everything abouttoday's teenaged "Goth" culture(wearing black, being clever and disrespectful, playing with people'sfeelings, complainingthat life seems meaningless and empty), you won't like everything aboutthe Hamlet who we meet at the beginning.
Hippolyte Taine, the nineteenth-century French critic, evolved an ecological theory of literature. He looked first and foremost to the national characteristics of western European literatures, and he found the source of these characteristics in the climate and soil of each respective nation. His (5 vols., 1863-1869) is an extensive elaboration of these ideas. It is doubtful that anyone today would agree with the simplistic terms in which Taine states his thesis. It is obvious that Russian literature differs from English or French from German. English books are written by Englishmen, their scenes are commonly laid in England, they are usually about Englishmen and they are designed to be read by Englishmen at least in the first instance. But modern civilization becomes more and more a world civilization, wherein works of all peoples flow into a general fund of literature. It is not unusual to read a novel by a Japanese author one week and one by a black writer from West Africa the next. Writers are themselves affected by this cross-fertilization. Certainly, the work of the great nineteenth-century Russian novelists has had more influence on twentieth-century American writers than has the work of their own literary ancestors. Poetry does not circulate so readily, because catching its true significance in translation is so very difficult to accomplish. Nevertheless, for the past hundred years or so, the influence of French poetry upon all the literatures of the civilized world has not just been important, it has been preeminent. The tendentious elements of literature propaganda for race, nation, or religion have been more and more eroded in this process of wholesale cultural exchange.
A Turkish Woman in the Oedipus Complex: Orhan …
If the early Egyptians or Sumerians had critical theories about the writing of literature, these have not survived. From the time of classical Greece until the present day, however, Western criticism has been dominated by two opposing theories of the literary art, which might conveniently be called the expressive and constructive theories of composition.
One of my own medical school psychiatryprofessors said, "There's no 'Oedipus complex.'"You can decide for yourself aboutJones's claims.Is Ophelia pregnant with Hamlet's baby?
THE BLIND MINOTAUR - Essays - John Szoke
Picasso scholar Brigitte Baer argues that Picasso’s Blind Minotaur is in fact a conflation of two myths: Oedipus and the Minotaur (Picasso the Printmaker: Graphics from the Marina Picasso Collection, Dallas Museum of Art, 1983, 89-91). Oedipus, of course, blinded himself after learning the truth about his incestuous relationship with his mother. Here, the Minotaur is equally maimed by the guilt of his extramarital affair. His mistress Marie-Thérèse, who is now a little girl, takes the place of Antigone, Oedipus’ daughter who led the sightless king to Athens, where he would die in Theseus’s arms (interestingly, the deaths of both figures were attended by Theseus, the founder-king of Athens, who slayed the Minotaur and provided solace to Oedipus in his last days). The combined symbolism suggests that Picasso intuited that his relationship with her would result in a death of sorts, and indeed, within a year his life changed completely.
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